However, the best scene in the film is the opening, a claymation introduction to a weird kind of creature that eats a woman's uvula, and flies away before spawning itself. The spawn, however, does not make a significant appearance in the rest of the film, and I was hoping that this completely fantastical element to the plot would interrupt the relatively mundane proceedings that follow. Even though the cool-ass monster sequence is self-contained, the family plot does pick up once the guests start biting it, and the movie develops its own charming brand of humor. Still, I kept hoping the monster would reveal himself as being the cause of all the deaths, and the film would take a more traditionally Miike turn. Alas...
Recommended for fans of subversive, goofy cinema (John Waters, etc.) and patronizing Japanese humor.
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